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Shaping Ideas Blog

Reno Tahoe International Art Show 2024 - Panel on the impact of AI on Sculpture
Reno Tahoe International Art Show 2024 - Panel on the impact of AI on Sculpture

I recently had the privilege of joining a panel discussion at the Reno Tahoe International Art Festival, expertly hosted by Lance Glasser, who guided us through a deep dive into the impact of AI on sculpture. It was a fascinating and important conversation, one that delved into how this rapidly evolving technology might affect the future of our fine art form. As a sculptor who has spent decades honing my skills, I’ve been thinking a lot about how AI might influence the work we do, both creatively and commercially.


The panel featured some incredibly talented artists, including Adrian Landon, Varvàra Fern, and Karl Lansing. Each brought their own perspective on AI’s potential to change the art world. One of the key themes of our discussion was whether AI threatens the authenticity of our art or if it can serve as a useful tool to enhance the creative process.



Left to right: Martin Eichinger and Karl Lansing speak on the impact of AI on Sculpture at RTIA 2024
Left to right: Martin Eichinger and Karl Lansing speak on the impact of AI on Sculpture at RTIA 2024

On AI’s Role in Art


Most of the collectors I speak with say they’d lose confidence in an artist’s integrity if they discovered AI was heavily involved in creating the work. That sentiment stuck with me. There’s a trust between the artist and the collector, and I worry that AI might undermine that trust. For me, great art comes from a unique vision, one that AI can’t replicate because it only looks backward, not forward.


Karl Lansing’s Concerns


Karl raised a valid concern about where the line is drawn between an artist’s work and the machine’s contribution. He explained how he could physically alter a sculpture, like

repositioning a moose, but AI might one day be able to do that with the click of a button. As he said, “At what point do I ask myself, is that my creation, or is that a machine creating it for me?” His fear is that the art loses its life when AI handles the heavy lifting.



Left to right: Adrian Landon and Varvàra Fern speaking on the impact of AI on Sculpture at RTIA 2024
Left to right: Adrian Landon and Varvàra Fern speaking on the impact of AI on Sculpture at RTIA 2024

Varvàra Fern’s Perspective


Varvàra had an interesting take. She’s used AI as a tool, but primarily as a reference, like a virtual assistant. As she put it, “I don’t think I would ever ask AI to generate work for me because I want to do it myself. It’s the fun part. I don’t want to give it to somebody else.” She emphasized that AI can speed up some of the more tedious processes, like tweaking proportions, but it can never replace the joy of creation for her.


Adrian Landon’s Call for Transparency


Adrian echoed a concern many of us have about honesty in the art world. He argued that there should be regulations around disclosing how much AI is used in creating a piece. “There should be some standards... It should be labeled to what percentage is the final product aided by AI or not.” For Adrian, it’s about allowing buyers to make informed decisions about the value and authenticity of the work.


Final Thoughts


What I walked away with from this discussion is the belief that AI is a tool—but a tool that requires careful consideration. I’m skeptical that AI can ever truly create “great” art, but I acknowledge that it has its place in the creative process. As artists, it’s our responsibility to ensure that our work remains authentic and true to our vision, even as technology advances.


A special thanks to Lance Glasser for organizing and moderating this insightful panel. His thoughtful guidance helped us navigate a complex topic and explore how AI might shape the future of sculpture.


What do you think—can AI ever truly create great art, or will it always require the hand and vision of a human?


 
 

"We believe that our town would be healthier if there was more focus on the values that the arts provide. We also believe that our politicians can have a lot to say and do to encourage a creative culture. At one time Portland was known for its creative culture.Now, not so much." -m.c.e.




We’re hosting a special gathering to discuss the future of the arts in our political dialogue, and we’d love for you to be part of it. This is a chance to connect with others who care deeply about the importance of art and culture and hear directly from two of our candidates. This discussion might be interesting even if you are not in Portland proper.We’re hosting a special gathering to discuss the future of the arts in our political dialogue, and we’d love for you to be part of it. This is a chance to connect with others who care deeply about the importance of art and culture and hear directly from two of our candidates. This discussion might be interesting even if you are not in Portland proper.


Featuring:

• Jesse Cornett, Candidate for Portland City Council, District 3

• Laura Streib, Candidate for District 2


When: Monday, October 21st, 7 PM

Where: Eichinger Sculpture Studio, 2516 SE Division St., Portland OR 97202


Please RSVP to let us know if you wish to join us. We’d be delighted to see you there! 503-223-0626


 
 
Martin Eichinger and his Amorphous Polymer art at RTIA 24.

For me, art has always been about breaking new ground. After decades of sculpting in bronze, I felt the need to push beyond traditional boundaries and explore something entirely different. This journey led to the Amorphous Polymer Collection, a new form of fine art that transforms how we think about materials like epoxy resin.


Often viewed as a craft material, epoxy, in this context, becomes a medium for exploring light, science, and the unpredictable nature of the world around us.


Amorphous Polymer pieces are reactive to light, which gives them a sense of life. As light shifts, the works evolve, revealing new colors, details, and textures. They are dynamic pieces that transform the space they inhabit. These pieces can be appreciated from two sides, much like traditional sculptures. Walking around them reveals how they change from different perspectives, inviting the viewer to engage fully with their evolving nature.


The Influence of Chaos, Science, and Natural Forces


There’s something deeply fascinating about allowing chaos into the creative process. With these sculptures, I do not fully control how the crystalline structures will form. Much like the slow formation of crystals in a geode, the curing process of epoxy allows for unexpected, organic changes that reveal themselves over time. These sculptures reflect both geological processes and the energy of the universe, which is always shifting and never fully revealing itself.


Inspired by the James Webb & Hubble Space Telescopes


The James Webb and Hubble Space Telescopes have been major influences in creating the Amorphous Polymer collection. These telescopes have given us incredible insight into galaxies, nebulae, and the birth of stars, offering a window into the vastness of the universe.


This ability to uncover hidden layers of the cosmos mirrors what I aim to achieve with my work. Each layer of resin in an Amorphous Polymer sculpture holds surprises, much like the hidden wonders of the universe. As light passes through the resin, new colors and details emerge, revealing mystery and discovery.


Redefining Fine Art


With Amorphous Polymer, my goal is to challenge traditional perceptions of what fine art can be. By using materials like epoxy resin, I am pushing the boundaries of what is considered art. These works are dynamic and ever-changing, holding surprises like the cosmos that inspire them.

Each sculpture reflects both the forces that shape our world and the universe beyond it. As you live with these pieces, they will reveal something new, encouraging you to see art in a different way. The work is not meant to be admired from a distance, but to be experienced, evolving with light and interaction.



 
 
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